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The double-curve motive in northeastern Algonkian art. Algonquian Indians; Indian art; Algonquian art. Fig. 5. (a) Penobscot double-curve design denoting central place of mourning in ceremony over a dead chief. From

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A Burmese Police Guard at Mandalay. 'Burmah. A series of one hundred photographs illustrating incidents connected with the British Expeditionary Force to that country, from the embarkation at Madras, 1st Nov, 1885