By A Mystery Man Writer
Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies.
Eric Dienstfrey on LinkedIn: Books arrived!!! And friends
Eric Dienstfrey on LinkedIn: Books arrived!!! And friends
Observations on film art : Internet life
Key Constellations - (california Studies In Music, Sound, And
SPD Fall 2010 Catalog by Small Press Distribution - Issuu
Oxford Handbooks) Kyle Stevens (Ed.) - The Oxford Handbook of Film
Acoustic & sound engineering titles - Buy books online or at 131
Sound & Music SIG -- SCMS
PDF) Under the Standard: MGM, AT&T, and the Academy's Regulation
The soundscape of the cinema theatre: acoustical design
How Would Lubitsch Do it? — Moving Image Agency
PDF) Media Dialogues: A Scholarly Roundtable